Estrutura formal e semântica do argumento autogenealógico em Nietzsche

This paper aims to analyze the formal and semantic structure of what I call as self-genealogical argument in Nietzsche, culminating with a brief outline of its form of communicability. From a formal point of view, the concept of genealogy must be understood from its critical register, in necessary connection to an interrogative praxis feeder of a methodical distancing; from a semantic point of view, my hypothesis is that precisely that which was elaborated by Nietzsche until 1887 in Zur Genealogie der Moral, thought especially in the view of culture, is realized in the 1888 texts, now in the view of himself. I finish with a brief and plausible sense of self-staging, insofar as Nietzsche converts himself into an argumentative instance, especially in Ecce homo.