Michelangelo secretamente no pensamento de Nietzsche

In this study we seek to show how Nietzsche appropriates the symbolic force of Michelangelo's work to secretly develop his ideas. In a first moment of our reflection, we analyze, more synoptically, the references to the painting of the Italian artist in the whole of Nietzsche’s work; in the second part of this study, we present in a more developed way the most secret appropriation of the sculpture of the Renaissance artist by the philosopher, above all, in the elaboration of his concept of Übermensch.