O caráter específico do romance em Teoria do Romance de György Lukács e a liberdade em Schiller

At the present work, taking as centrality the discussion about The Theory of the Novel, by György Lukács, we'll search to present Schiller as a pathway for reading and access to the fundamental aspects of autonomy and internal finality of the work of art highlighted at Lukács' youth's aestetics, appropriated here targeting to converge around a better formulation about the novel's problematics and its qualitatively unique character regarding the historic period, the mature virility of the novel. Situating the problematic of the forms on an historical-philosofical mode, one achieves the mature virility of the novel as a self-enclosed totality, on the configuration of its form projecting a world which is no longer adequate to the subject. The novel explicits something symptomatic facing the lived, the freedom of becoming self-conscious of the incompleteness of the world. On Schiller, the poetic creation as possibility of an authentic production for absolute freedom would be delimited by the subjectivity of the genius.